Lost in Russia exposed a train of embarrassing cars to predict that Xu Zheng’s double identity will be embarrassing again

1905 movie network news On November 13th, the long-awaited latest masterpiece of Xú Zhēng’s comedies was announced again. In the preview of "A Train Embarrassing", Xú Zhēng accidentally set foot on the K3 train to Russia with his mother, and there were a lot of troubles in the carriages, not only the telephone bombing of Yolanda, but also the "desperate soul asking questions" from his mother. In addition to humor, he quickly wrote the "double-sided tape" type of family embarrassment of Xú Zhēng’s role.

As the "God of Medicine", the third work of the "Jiong" series reopened. Apart from the comic texture of Xú Zhēng’s signature, Lost in Russia presents a different dimension of conception, adding more elements to the classic comedy, and family of origin and the thinking of family relations are quietly integrated into it. In the Spring Festival schedule, Lost in Russia not only wants the audience to laugh around, but also intends to promote inner softness and reconciliation, so that the audience can watch a movie that reunites their hearts in the most reunion schedule. The film will be released on New Year’s Day in 2020.

Xú Zhēng meets the dilemma of "double-sided tape" and Lost in Russia digs into family comedies.

In the preview of "A Train Stopping" edition, with the music of Swan Lake by Russian composer Tchaikovsky, a typical Chinese mother and son come into view every day. Xú Zhēng on the work phone keeps welcoming her mother for food feeding, and the picture is humorous and full of contrast. My mother took the lead, but before she appeared, she asked a series of questions. In just a few lines, she threw out heavy questions such as "giving birth" and "mother-in-law-daughter relationship".

Xu Yiwan, a nearly middle-aged man, is still stretched like a "child" in front of his mother. On the one hand, being a son, and on the other hand, being a husband, Xú Zhēng’s "double-sided tape" dilemma surfaced. Yolanda, the special star of the previous exposure, had a fierce dispute with Xú Zhēng on the phone, which was full of gunpowder. Under the "heavy pressure", Xú Zhēng on the train issued "I want to escape! I want to wander the world! " The cry, coupled with the thrilling scene of climbing the top of the train on a snowy night, is particularly expected. Will a wrong way be an escape to let your soul go?

Xú Zhēng has his own understanding and thinking about the family relationship among many family of origin, and it is his consistent creative choice to show it through comic story conflicts. Xú Zhēng thinks that the controlled family atmosphere often has a deeper reason: "I think it comes entirely from the way of treating each other in family of origin, which is a single model. I haven’t studied myself, so I can only learn from my parents.

If you love someone, you should care about each other like this. But the results are often unsatisfactory. Even Xú Zhēng, who is good at integrating humanistic care into his works, still thinks that it is difficult for movies to achieve 100% healing. But even if the film provides the audience with a sense of substitution, it still has its meaning. "I hope that after watching the movie, the audience can feel a deep and unbreakable family relationship between mother and child through the movie. In the very deep bottom of my heart, dig out the soft moment that everyone once had. "

The journey of upgrading and healing is really Lost in Russia, which resonates with all the creative staff.

In addition to the overall upgrade of characters, stories and productions, the remarkable characteristics of this trip are more manifested in the deepening of emotional and psychological levels. Xú Zhēng said: "The journey is not to visit a country, meet some external adventures, and then be embarrassed. We are going to do a business from a person; Later, I wanted to see my first love and achieve my wish; Then to the protagonist, he found an improvement in his relationship with his mother throughout the journey. "

The story setting of the film Lost in Russia is full of classic comedy style, and at the same time, it has the thinking based on the current society. A combination of a middle-aged man and a paranoid mother, a six-day and six-night train adventure, and a dramatic plot of full character design collision, it is difficult to ignore the fierce conflict between generations and the care that is ashamed to say during the fantastic and exotic journey. "After their relationship was gradually repaired, they finally returned to the place where they started, and each of them grew." There is no rigid value output, and Xú Zhēng thinks that each mode of affection has its own balance, and this embarrassing journey is only about the repair and introspection of affection, so put it down and start again.

It is reported that Lost in Russia’s script was written quickly. After the idea was finalized, Xú Zhēng and the screenwriter team completed the basic story creation in just five days. Such a rare writing speed stems from the endless inspiration of all creators in real life and their strong resonance with the theme. Immediately after the story was finished, Xú Zhēng personally experienced a K3 train with his creative team. According to the real experience, he gave feedback to the script itself again, and then he went through two closed-door revisions.

Everyone has started a long-standing mother-child relationship since the day they were born. The little things that have been getting along with each other in the long years, and today’s generations of hope, have become vivid and full story materials accumulated over time. The "Jiong" series, which is well-known for its road comedies, has therefore taken on a new texture, embarked on the road with its own problems, and solved its own difficulties elsewhere.

The film will be released nationwide on the first day of New Year’s Day in 2020.